Grażyna Bacewicz, a renowned figure in both violin and piano, left a lasting legacy through her exhilarating compositions. Pianist Peter Jablonski has breathed new life into her piano music, showcasing the brilliance of Bacewicz’s work.
Bacewicz’s expertise as a violinist and pianist shines through in her compositions, particularly in the Ten Concert Etudes. These pieces, written between 1956-67, exude a joyous celebration of piano mechanics, reminiscent of works by other notable composers like Kurtág and Ligeti.
Despite facing challenges, including a career-altering car accident, Bacewicz premiered her Piano Sonata No 2 in 1953. This three-movement masterpiece captures a range of emotions, from expansive melodies to intricate rhythms inspired by Polish folk dance.
Jablonski’s interpretation of Bacewicz’s Piano Sonata No 1, published in 1949, showcases his skill in navigating the intricate interplay of sonorities and rhythms within the composition. His performance brings out the nuances and complexities of this lesser-known gem.
Marie-Catherine Girod’s album, “Regards de Femmes,” offers a diverse exploration of compositions by 17 different artists, providing a rich tapestry of musical styles and influences. From Ethel Smyth to Agathe Backer Grøndahl, Girod’s selection introduces both familiar and lesser-known composers to the listener.
As classical music continues to evolve, artists like Bacewicz and Girod play a crucial role in expanding the repertoire and preserving the rich traditions of the genre. Their contributions serve as a bridge between the past and the present, ensuring that the beauty of classical music endures for generations to come.
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